Good vibrations: how Bandcamp became the heroes of streaming

Bandcamp favourites … Ana Roxanne, Björk and Dam Funk. Composite: Tammy Nguyen; Getty Images; Clayton Andrew Rasmussen

Chal Ravens writes for The Guardian about the virtues of Bandcamp.

After speaking to Founder Ethan Diamond, the ” CEO of Bandcamp about what it means to put artists before listeners, and how Bandcamp became the rarest of Silicon Valley stories; a slow burn success.

“They waive their fees, raise cash for Juneteenth and champion everything from vapourware to eco-grime.

‘Artists have to come first’ … Ethan Diamond, founder of Bandcamp.

“A lot of independent labels waived their fees as well. Some gave to food banks and other organisations. Those labels aren’t big corporations … that was amazing to see”

Read the full article in the Guardian

+++UPDATE: USA: Community Radio Fights to Stay Live (and Weird) Despite Coronavirus

In an article in the New York Times, Brett Sokol catches up with some of America’s noncommercial, community radio programmers, who have been forced into hastily improvising a response to the growing spread of Covid-19.

Local stations have cut down on D.J.s coming to the studio, but playlists and personalities are holding strong as small stations get a chance to build bigger audiences.

“This is the situation that so many broadcasters dream of!” said Ken Freedman, the station manager and program director at WFMU. “You have a global, captive audience, and everyone can share and commiserate their experiences. But it’s not safe to go to the station!”

Matthew Dunn of WOMR : “As much as anything else, this is an opportunity to spread joy at a time when people really need it,” he said. “We’ve had some things taken away from us, but radio is not one of them.”

Read the full article in NY times.