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Jess Dymond Barber

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Creative Footprint Tokyo report completed at critical juncture in nightlife industry

After a year of hard work and close collaboration we are excited to share the official report of The Creative Footprint (CFP), Tokyo...
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Good vibrations: how Bandcamp became the heroes of streaming

Chal Ravens writes for The Guardian about the virtues of Bandcamp. After speaking to Founder Ethan Diamond, the ” CEO of Bandcamp about what...
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What is the future of partying in a post-pandemic world?

Everywhere you look, clubland is thawing and green shoots of recovery are sprouting.
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Green spaces as cultural areas. Will raves in Berlin’s parks soon be legal?

Der Tage Spiegel reports on how illegal raves have been springing up in parks and on the water ways in Berlin due to...
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Berlin’s famed nightclubs have been silenced by COVID-19. Can they bounce back?

“The signals we get from the experts are that the club culture is not possible until there is a vaccine,” said Lutz Leichsenring....
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Licence freeze lifted on pubs and nightclubs in Sydney after 11 years

The state government has scrapped a long-standing freeze on new liquor licences for pubs, clubs and bottle shops in Sydney’s CBD and Kings...
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Covid-19’s Metamorphoses: The future of the social economy

In an article first published in May, Philip Kolvin QC and Alicia Scholer presented a detailed and alarmingly grave analysis of the precarious...
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United We Stream Australia Launches With Livestream of Motez This Thursday

Since its launch back in March 2020, international live-streaming channel UNITED WE STREAM has turned into something of a phenomenon. The national series of events...
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Central European Countries Ease Event Restrictions

Events of 500 people can take place in the Czech Republic and German capital in June, with Switzerland permitting shows of up to...
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The Power Of Crowds

Dan Hancox writes a long read for The Guardian on the importance and power of crowds. “I missed the disinhibition of dancing in...
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